Still reading
Nick Hornby’s Ten Years In the Tub. On page 151, he mentions the band Slipknot in the context of using music as a torture device.
My parents have some good friends, the Joneses. I have known them for many
years, long enough to remember when their kids were very young. A few years
back, my mom casually mentioned on the phone that one of the Jones boys, Craig,
was in a band. Now I’m still thinking of Craig as a little kid, so I politely
say something like, “That’s nice. What’s the band’s name?” “Slipknot.” Well,
knock me over with a feather! More like an anvil followed by a sledgehammer. I
think Slipknot may be the most culturally important thing Des Moines ever gave
to the world. I’m not a fan of their music, but they’ve made an impact. For all
of my training, practicing, endless gigging, etc., my music career has yielded nada
in terms of financial or critical success. Craig has me beat by several million
to naught. I'd love to be well-known enough to have my name casually dropped as a cultural reference, even as a torture device.
I’m bugged by
songwriters who use words that normal people never use, especially in pop songs
that are supposed to be for the everyday people. “Boulevard” is not an advanced
or obscure word, but when’s the last time you heard it used in conversation? For
most of us, this word has only one use: to rhyme with “hard” in bad lyrics.
That’s what this song is about.
The Boulevard Song
© 1994 Wally
Koekebakker and Brian Hutzell
You’re in love
and someone else comes along
The same old
story, but the plot is wrong
And you don’t
know who you can count upon
But I’m here
You can call me
tonight
Try to make it
seem all right
Everybody told
you it was gonna be hard
And writes a song
about a lonely boulevard
I’m here to show
you just how wrong they are
Those cliché
rhymes happen all the time with harmonica and guitar
You’ve got a lot
of love to share
And tell yourself
you’re only being fair
They’re not gonna
see it that way
Pretty soon there’ll
be no on there but me
You can call me
when you feel a time of need
Everybody told
you it was gonna be hard
And writes a song
about a lonely boulevard
I’m here to show
you just how wrong they are
Those cliché
rhymes happen all the time with harmonica and guitar
Turn off that
solemn music
Listen to a
brighter melody
No use hearing
melancholy
Find a jolly up-tempo
beat
And the pain you
feel is still there and still real
But you will be
surprised how fast you heal
Everybody told
you it was gonna be hard
And writes a song
about a lonely boulevard
I’m here to show
you just how wrong they are
Those cliché
rhymes happen all the time with harmonica and guitar
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