Sunday, November 29, 2015

"I Love the Coffee Shop"


I first tried coffee when I was in junior high. The cup I tried came with cream and sugar, and I hated it. I didn’t drink coffee again until I got to Boston a few years later. There I tried cappuccino for the first time and loved it! Then my first summer in Boston, I was working in a pizza restaurant and the air conditioning went out. Our pizza ovens were at 750°F, and that kitchen got mighty warm! That’s when I learned to drink ice coffee with cream. For me the secret was NO SUGAR. Now I’ve been happily addicted to coffee for many years. This song pays homage to the Brigham’s restaurant in the Prudential Center in Boston’s Back Bay. I used to do a lot of songwriting there while eating club sandwiches and drinking coffee.

I Love the Coffee Shop

© 1985 Brian Hutzell

I think the best food in the world
Is never found in fancy places
Its behind the greasy counter
Frequented by common faces
The coffee and the sandwich
Served with slaw in generous portions
To the sound of scratchy music
From the radios AM station

I like sitting on a swivel stool
I like soup with a greasy spoon
The coffee shop to the sandwich bar
Theres the greatest food by far
The atmosphere makes me feel good
Like a five-star diner never could
I like the coffee shop
I love the coffee shop

I think the best way in the world
To forget your daily worries
Just relax beside a counter
Where you’re never in a hurry
A think old-fashioned malted
And a doughnut in the morning
And it only makes it better
If outside the rain is pouring

I like sitting on a swivel stool
I like soup with a greasy spoon
The coffee shop to the sandwich bar
Theres the greatest food by far
The atmosphere makes me feel good
Like a five-star diner never could
I like the coffee shop
I love the coffee shop

I like the coffee shop
I love the coffee shop
The coffee shop
The coffee shop!



“Revere Beach”

Brian Hutzell
from Bouncing Suit Legal


Wednesday, November 25, 2015

"The Notebook"


I’ve recorded this one twice: first on my December 1985 cassette, then as part of TFM. Wally got me into the habit of carrying a notebook with me everywhere, and throughout my first stay in Boston, I stuck to that habit diligently. I’ve since drifted away from it, but I still like to have something to write on handy wherever I am, just in case inspiration strikes. As for the artwork here, it comes from Unperformable Music, which I created while living in Cambridge. The notebook was featured in the group art show “Urban Journals” at Local Project in New York.

Current listening: Duran Duran, Rio

The Notebook

© 1985 Brian Hutzell

The notebook he kept in his pocket
The secrets confessed in its pages
The notebook he kept on his person
The paper he filled with his pain
The lyrics composed with his pencil
The stories composed for no people
The memories of distant places
His life handed down through a pen

Writing for no one
What good does it do?
Waiting for someone
Who'll force him to move
Writing his notebook
With nothing in mind
Wanting a reason
Where does the time fly?

The notebook, the notes he has taken
The naked truth laid on the table
The neighborhood time bomb is ticking
The neighborhood lion unchained
The notebook exists as a token
Of life he endured through the trial
The notebook reveals all his troubles
The failed excursions he tried

Writing for no one
What good does it do?
Waiting for someone
Who'll force him to move
Writing his notebook
With nothing in mind
Wanting a reason
Where does the time fly?



pages 8-9
from Unperformable Music
Brian Hutzell

"No Change"


Meh. This is not much of a song. Reading over these lyrics now, I can vaguely recall the melody, but this one is basically a throwaway. I’ve sometimes opted for quantity over quality. Many a song that could have benefited from a rewrite merely got shunted aside and forgotten. Of course, some songs are beyond saving. I’m not sure which category this one falls into; I haven’t given it two thoughts since the day I wrote it.

I’ve spent most of the day so far doing schoolwork, and I’ve been going pretty well. Tomorrow is Thanksgiving, and I wanted to get as much of this week’s assigned work done as possible before the holiday. That way, I can stuff myself without having unfinished business hanging over my head. Hitomi and I will be dining out with The Fossils at Baker’s Square, which is a nice feel-good spot. And they have great pie! I’ve always been more of a pie than a cake person. As a kid, mom I would frequently have a birthday pie instead of a birthday cake. Sometimes even with candles!


No Change

© 1987 Brian Hutzell

Thought, no action
Game, no play
Words, no voices
Phone, no change
Work, no business
Clock, no time
Bank, no interest
Call, no dime

Still I see no change
No, it looks the same
Pays to rearrange
Still you never change

We've been together since the early days of puberty
Act like I won you and I'll treat you like my property
I'm running in and out, you treat me like I never left
Alarms are buzzing but you think it's just another theft

Still I see no change
No, it looks the same
Pays to rearrange
Still you never change


“December Blues 4”

Brian Hutzell
from December Blues


Tuesday, November 24, 2015

"Major Problems"


This was copyrighted in December 1984 as part of my song collection Single Forthcoming. The reference was to the planned single release of “Bulletproof”/”Murder Is Easy” the band JEREMIAH. Everything was all recorded, and I even accompanied Bob and Jeremiah to Sterling Sound in New York to get the record mastered by George Marino. What didn’t happen was the single. What did happen was…major problems!


Major Problems

© 1984 Brian Hutzell

It was a good day, a very good day
A very fine day
I was happy
A sunny morning, a cheery morning
A perfect morning for my coffee
But then (what?)
But then (oh no!)
But then (really?)
But then (go on!)
Then it happened
Then it happened
Then it happened to me

Major problems
Horrible things
Ugly happenings
Calamities
Major problems
Real life authentic disasters
Major problems
Most annoying circumstances

Why should my life be so messed up?
It shouldn't be
It shouldn't be
Why should my life be so messed up?
It shouldn't be
What?
Oh no!
Really?
Go on!
It shouldn't be

Major problems!


“W4”

Brian Hutzell
from Wheat

Monday, November 23, 2015

"Little Fly"


This song is autobiographical. Not so much so when I wrote it, but now it definitely describes me way too well. Reading these lyrics is like a slap in the face. That’s probably exactly what I need most. It’s been nearly thirty years since I wrote this song.

“It's no good running a pig farm badly for 30 years while saying, ‘Really, I was meant to be a ballet dancer.’ By then, pigs will be your style.”
              -  Quentin Crisp

Little Fly

© 1987 Brian Hutzell


Little Fly is still a freshman but he's got a grade
From every college in his home state
Now he says he's gonna move away and get a job
But that is one thing he can't take
When he's unhappy he'll just stay up late, flipping channels
Watching pieces of the programs
Looking for the parts that make him laugh
But when they're over he still feels bad

Little Fly, don't take it personally
Little Fly, get away from the window screen
Little Fly, still looking for a way to escape
I hate to tell you
You're stuck, Little Fly

He swings when he's got a chance
He isn't picky, just as long as it's easy
He says it isn't worth his time to make an effort
So he often appears sleazy
The talk about his former success is hard to listen to
And probably false anyway
The product of a mind,
Eaten alive by no creation, only intake

Little Fly, don't take it personally
Little Fly, get away from the window screen
Little Fly, still looking for a way to escape
I hate to tell you
You're stuck, Little Fly

Listen to the way he describes where he wants to be
And how hard he tries to work constantly
On a career that every other year is something new
Notice how sincere his philosophies
Though not too clear, support his pleas
For cruel fate to give him a break and let him move

Little Fly, don't take it personally
Little Fly, get away from the window screen
Little Fly, still looking for a way to escape
I hate to tell you
You're stuck, Little Fly

Sullenly he waits for things to break
Then blames the names of the places where they were made
Probably some incredibly dumb and backwards town
Nothing holds him down except his mood when he frowns in the gloom
When he's like that, nobody can reverse his scowl


“Babbit”

Brian Hutzell
from Brand New Bouncing Suit

"Look"


When Hitomi and I moved to Round Lake and bought a townhouse, it was the beginning of a long downward spiral that just seems to keep spinning lower and lower. Every time I think we’ve hit rock bottom, it turns out I’m wrong, and we sink even further into the hole. We moved from Round Lake to Cambridge, and I dabbled with being an artist. I am a dilettante for sure! But my love for art is real, even if my talent isn’t. When we stupidly left Cambridge, I got rid of all my art supplies, along with some musical equipment, all of which I wish I had back in my possession. What was I thinking?!?

Also in Cambridge, I wrote a few songs, and picked up the trombone again after a long spell away from it. Even since then, I’ve been inexcusably inconsistent with my practicing. Lately, I’ve been doing pretty well with the euphonium, but my goal of practicing 3 hours every day is so hopelessly off schedule, that I will never catch up. And now I have school to worry about. This term is really wearing on me. I’m having second, third, and fourth thoughts about continuing with it at all anywhere.


Look

© 2001 Brian Hutzell

Look
Look around
See the town
See the ground
These words mean nothing
Have no rhythm
Make no sound
Break no hearts
Look!
The sky is falling
But no one cares
No one fears
The end is near
No one looks
They never did
They never will
The sight is beautiful
At last
So beautiful
Slipping into the past
At last
I look
And see the sun going down
To the ground
To the Earth
I have found

“Look”

Brian Hutzell
from Brand New Bouncing Suit


Sunday, November 22, 2015

"Movies"


I went to a lot of movies in the 1980s, mostly in and around the Boston area. On my very first night there, I went to see Woody Allen’s Zelig at the Sack Paris Theater on Boylston. It was during the early 1980s that I discovered that popcorn and apple cider were made for each other. I would go to the matinees because they were cheaper, and I nearly always had popcorn and cider to accompany the film. Most of the theaters I attended regularly no longer exist. My favorite was Off the Wall Cinema in Central Square, Cambridge. It was at Off the Wall that I discovered the genius of Buster Keaton. The little cartoon accompanying this post is my homage to Buster.


Movies

© 1985 Brian Hutzell

Going to movies is ecstasy to me
Cause I like to torture myself by pretending
I'm living the scenes on the screen
It's more fun than reality
Sit in the theater
Popcorn and cider
Absorbed in the action, my eyes open wider
I'm wishing these dreams were happening to me
Nothing wild ever happens to me

Fake life is better than no life at all
If movies can thrill me
I'll go to them all
Fantasy's wonderful, fiction is fun
But I'm lost when the movie's done

Going to movies is therapy to me
I don't find it hard to pretend I'm a star
I'm living the glamorous life
Imagining I'm satisfied
Sit there for hours
Stripped of my powers to enter the workforce
These moments are worth more than experience
Does that make sense?
I'm living vicariously

Fake life is better than no life at all
If movies can thrill me
I'll go to them all
Fantasy's wonderful, fiction is fun
But I'm lost when the movie's done

"Buster"

Brian Hutzell

Saturday, November 21, 2015

"Lucky For Me"


The version posted here is actually a 1985 rewrite of a song originally written in 1984. The only difference is the addition of a second verse.

Lucky For Me


© 1984 Brian Hutzell

I met a friend of yours
She didn't know me
I never mentioned your name
She didn't know I knew you
She said you knew each other
And she told me something else
She told me 'bout your reputation
The one I'd overlooked so long

She said you try to sleep with everyone you meet
She said you lie, you cheat
You're no woman, you're a pretty thief
She said you'll cry and scream
Do anything to get your way
Lucky for me she told me this, lucky for me

Lucky for me I found a source of information
Lucky for me I was informed before humiliation
Lucky for me I found a source of information
Lucky for me, lucky for me, lucky for me

I met a friend of yours - a former lover
We'd never met before
He said I should avoid you
He said you met in Winter
Lived together through the Spring
By Summer he could not believe you
You tripped him up and watched him Fall

He said you try to sleep with everyone you meet
He said you lie, you cheat
You're no woman, you're a pretty thief
He said you'll cry and scream
Do anything to get your way
Lucky for me he told me this, lucky for me

While he was talkin' I was shakin'
I was hopin' he was makin'
Up the stories he was tellin'
He was draggin' me through hell
And I was thinkin' I'd be leavin' you
Because I had a reason to

He said you try to sleep with everyone you meet
He said you lie, you cheat
You're no woman, you're a pretty thief
And that is why I'm going to leave
I'm gonna go away
Lucky for me he told me this, lucky for me

Lucky for me I found a source of information
Lucky for me I was informed before humiliation
Lucky for me I found a source of information
Lucky for me, lucky for me, lucky for me

Lucky for me

“Untitled 1”

Brian Hutzell

"Move"


This was one of the first songs leading into the Ashley Standing period. It was during that time that I wrote several overtly sexy songs. That would be fine, except I could never really pull off sexy. Even though for a spell there, I looked pretty darn good, playing the part of a sexy and seductive singer just wasn’t in my makeup. The Ashley Standing recording proved that beyond all doubt.

Move

© 1992 Brian Hutzell

I want you now--want to feel our bodies meet
To taste your lips and every other part that's sweet
I wanna make love, want to be seduced
And be caressed in any way you choose

It doesn't have to be night; the music doesn't have to be right
Don't have to pull the shade; we can do it in the light

Move your body over me
Touch me not too tenderly
Make me feel the ecstasy of you and me in harmony
Move on every side of me
Test your sensuality
Take me where you want to be
I'll move with you if you'll move with me

Feel my hands move along your sides
Across your hips, now between your thighs
How does it feel to be in control?
To call the shots
Tell me when to rock and roll

Oh, it doesn't have to be night; the music doesn't have to be right
Don't have to pull the shade; we can do it in the light

Move your body over me
Touch me not too tenderly
Make me feel the ecstasy of you and me in harmony
Move on every side of me
Trust your sexuality
Take me where you want to be
I'll move with you if you'll move with me

Move me, move me, move me
Move me with your body and your soul



"The Music In Your Anus"


I doubt if anyone else has ever used this song title.


The Music In Your Anus

© 2011 Brian Hutzell

Living out of sequence
I found music in your anus

Mary had a little lunch
She was an unusual looking girl
With an eye on the end of each nose

Failing to fiddle my follicle
Barnacle beans!
Disembodied hand potato
Just a spoonful of vomit helps the medicine come up!
Frosty noseworms!

See what I did?
I finished a squid
Still no one can explain us
Or the music in your anus

So I learned to do everything right
Now I hafta relearn it all wrong
Hope it doesn’t take long
I’m not as young as I used to be
I used to be very young
It was absolutely incredible
Once I wrote about edible hamsters
Then I moved to a town full of gangsters
Frosty noseworms!

Did you hear what I said?
I wish I was dead
No place can contain us
Or the music in your anus


“Untitled 2”

Brian Hutzell

Friday, November 20, 2015

"From My Point of View"


This is one of the songs that grew out of a tape Wally sent me when I was still living in Medford. He would send me a cassette filled with bits and pieces of unfinished songs, and I would mine the material for scraps that I liked, and work them into complete songs. Sometimes, Wally would have most of it done, and my job would just be to add some finishing touches. Other times, I would build a whole song around a single line or lick.

I’m craving a tuba.

From My Point of View

© 1989 Brian Hutzell and Wally Koekebakker

Don’t try to make a big fool out of me
We both know it’s true
Every crime is already mine
Nothing left to do

I’ve been running away and I’ve been making mistakes
That don’t mean you can run my life
Don’t mean anything at all, no

What number of things have you done
To make it hard for me
To undo damage already begun
A tainted history

I’ve been running away and I’ve been making mistakes
That don’t mean you can run my life
Doesn’t mean anything at all, no

You are so neurotic
Trying to be a martyr at my expense
You find me exotic
And claim you abuse me in self-defense

So you pray that I slip again
Step on a crack and break my own back
You cackle like a mother hen
Watching another battle plan hatch

I’ve been running away and I’ve been making mistakes
But even when I win I seem to lose
Try looking at it from my point of view
Cause it don’t mean you can run my life
No, it doesn’t mean that at all, no



"Free"


This song borrows a line from one of my favorite Christmas specials, Rudolph the Red-Nosed Reindeer. Every year as a kid, I looked forward to that show, and for many years I never missed it. For the past several years, I haven’t seen any holiday specials, because we don’t have a television. I could probably find most of the shows online, but somehow it’s not the same. When things are too easy and too accessible, somehow they’re not as special.


Free

© 1994 Brian Hutzell

What have I been doing with myself all of these years?
Finding out new ways of wasting time and making tears
It’s something I’m not proud of
How could I possibly be?
But when you start to round up suspects, don’t be grabbing me!

I’m gonna stay free, free
Free to love
Ain’t that enough for me to be?
Free to live
I’m positively free

What are my plans in case the plans I have are faulty?
I never was that good with facts and problem-solving
I have trouble with directions--using someone else’s steps
But when it’s time to improvise,
There’s no one more adept

I’m gonna stay free, free
Free to love
Ain’t that enough for me to be?
Free to live
I’m positively free

Freedom doesn’t have to be lonely
I don’t want to be free by myself
Let’s be independent together
Cause freedom’s best when shared with someone else

You’re an individual
I’m not asking you to change
Just because I wanna spend my life with you,
Doesn’t mean I want you in a cage

We’re gonna stay free, free
Free to love
Ain’t that enough for me to be?
Free to live
I’m positively free


Shmoo


Thursday, November 19, 2015

"Praying Mantis"


From my Spring 88 tape, this is one of my signature tunes. It was inspired by a real praying mantis. Two, in fact. I was working at my parking lot job in downtown Boston, when a praying mantis landed near me. I hadn’t seen one in ages, so I called up Jeremiah at BCD to tell him about it (I guess things were slow at work.) I began the phone converstion with, “When’s the last time you saw a praying mantis?”
He freaked out a little, “Why are you asking me that?!”
“Because I just saw one.”
“Well I just stepped outside for a moment, and one landed on me!”
It had to be a sign. I had to write a song about a praying mantis.



Praying Mantis

© 1987 Brian Hutzell

She belongs on stage, anywhere but on the street
She’s from another age, her mannerisms obsolete
She’s an individual; no one tells her where to go
I often think she’s fictional--from a place I do not know
Still I imagine she is not alone too often
She’s too beautiful to be
She makes things happen as if life was all a pageant
It’s a rare ability
When she changes costume, suddenly she’s so polite
That’s when she knows she’s got you
Better say your prayers tonight

Praying Mantis, dangerous enchantress
Stay away when she’s got that look in her eye
She’s a huntress acting like a duchess
Go away; when she calls it’s time to fly

She’s making her selection; anything she wants she gets
Cause she has got protection; no one’s escaped her yet
She’ll be ready when you make an attempt to resist
She’s looking at the menu--adding your name to the list
When you receive her invitation for the evening,
Her decorum pacifies
But when you feel her,
That’s when you start believing you might not get out alive
This is her stage--her performing sphere
She doesn’t show her age, only wisdom of the years

Praying Mantis, dangerous enchantress
Stay away when she’s got that look in her eye
She’s a huntress acting like a duchess
Go away; when she calls it’s time to fly

She’ll take your head off, suck the juices from inside
Throw away your empty shell
Then comes the send-off and you’re strangely satisfied
Leaving, she wishes you well

Oh, Praying Mantis, dangerous enchantress
Stay away when she’s got that look in her eye
She’s a huntress acting like a duchess
Go away; when she calls it’s time to fly



“Bug”

Brian Hutzell
from Brand New Bouncing Suit